Jingxuan Lyu
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Painting / Surface

Floral studies, bold color fields, and the material surface of paint.

The painting chapter now reads as a fuller body of work rather than a single study. It moves through floral compositions, a textured holiday painting, and a blue-flower piece shown both in progress and in its finished form, so the page carries both final images and process.

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Collection note

This wall can keep growing with more canvases later, but it already has enough variation now to read like a real painting section instead of a placeholder.

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White flowers in a yellow vase on a yellow ground

White Flowers on Yellow

A full composition where white petals and the yellow field hold the entire painting in one warm register.

Blue flowers painting on a bright yellow background

Blue Flowers

A stronger contrast piece built from saturated blue petals against a flat yellow ground.

In-progress photo of a blue flowers painting on an easel

Blue Flowers Process

The unfinished stage keeps the underdrawing, setup, and revision marks visible.

Pink floral painting on a dark background

Pink Garden

A denser floral field where blossoms scatter across a darker ground and build a different rhythm.

Close-up detail of pink floral painting

Pink Garden Detail

A tighter crop that brings the brushwork and repeated petal shapes forward.

Textured Christmas tree painting with snow and handwritten text

Christmas Tree

A more tactile painting where relief texture and writing become part of the image.